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Matmos / Villeneuve / Class of 69 - Tatouages menthol​é​s et cartouches d'Aube

by Matmos / Villeneuve / Class of 69

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  • Cassette + Digital Album

    Yo, world!
    We know what you think.
    You think “How come there’s never been a double cassette with an Hotu cover?”.
    First, we won’t answer that question, it’s not called “Fais le toi même si t’es pas content” for no reason.
    And secondly, that wait is over.
    You think “Oh thank you, I’m so happy I’ve lived long enough to see this! And just in time for Christmas!”.
    We know.

    This is our biggest release so far, but don’t expect them to last too long.

    Includes unlimited streaming of Matmos / Villeneuve / Class of 69 - Tatouages mentholés et cartouches d'Aube via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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Infra Noir 02:50
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Jukeboxes 13:00
8.

about

We all gathered that day to Benoît and Sarah’s lovely house. Benoît’s penne a l'arrabiata is an invitation that you really can’t say ‘no’ to. It was the aftermath of Trump’s election. Martin and Drew had been abroad the whole time, and Sarah had to interview a Trump bimbo for her TV show in the afternoon. You can guess what the discussion center was. Minimal impact though: the perfect antidote was found in the form of delicious food and wine. As the lunch was coming to an end, we noticed something strange. An annoying noise was disturbing the Joanna Brouk piano piece. Benoît stressed to check there was nothing wrong with his five-star hi-fi. That’s when we realized. The house was surrounded by Trump zombies, reciting their four-word zombie mantra over and over. They must have been attracted to the so-called “greatness” that was supposed to happen during the Skype interview. I know it sounds strange, but none of us really is an expert on how Trump zombies think… Assuming they do think, research on the subject have been fruitless so far.
They weren’t aggressive or anything, but they were there, massed against the windows. Credit should be given: they really know how to ruin the mood.
We abandoned Sarah to her journalist duty -she kept Baba, their cat, with her, just in case- and retreated downstairs to Benoît’s studio. Even there, we could faintly hear their fucking zombies mumbling, so we plugged all the instruments and started to play. That wouldn’t shut their decayed zombie mouth, but at least we wouldn’t be hearing them for a while.
It turned out to be a very cathartic session. Martin hit the drumkit as if DT’s fake smiling face was printed on every tom, unstoppable synths were analyzed, sweet memories of the Juno 60 were shared, harpsichord proved to be funky and, at the end of the afternoon, our ears were finally buzzing with positive frequencies.
At some point, Sarah joined. The interview was finished, all the zombies had vanished. Everyone felt relieved and positively exhausted.
And then someone said, “what’s the plan for dinner?”.

credits

released November 24, 2017

Matmos / Villeneuve / Class of 69 - Tatouages mentholés et cartouches d'Aube

Dernière minute électrifiée
La rue est un rêve
Kali Yug Express
Infra Noir
Trains de nuit

Coca néon arc-en-ciel Polaroïd

Jukeboxes

Pommes bleues électriques

Recorded on November 15th 2016 at The Auber Mansion, Aubervilliers
Produced by Villeneuve

All track titles and names were found after the recordings within the works and writing of Claude Pélieu-Washburn.

A Scum Yr Earth - Doucement co-production
SCUM TAPES 042/043 - D003
P&C SYE - DOUCEMENT - MATMOS - FLTMSTPC 2017
ART HOTU

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Scum Yr Earth Paris, France

Started in 2007 by Joseph Ghosn and Michel Wisniewski, in order to issue their own music, Scum Yr Earth has since opened its doors to other artists.
Since 2012, the design of each release is managed by Stéphane Prigent.

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