Bris de clôture, by Leandro Barzabal

Bris de clôture

by Leandro Barzabal

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Unlimited edition cassette - Art by Michel Wisniewski
Cassette + Digital Album
We love challenge, and manual work.
But raising to Leandro’s self-released first cassette packaging was simply out of our league.
leandrobarzabal.bandcamp.com/album/faux-underground
So, I volunteered, did my best, Stéphane had fun with it and ‘voilà’.
It’s 100% me trying to reassure myself, but I have the feeling that something in this mass of blurred/focused dots makes sense with the music, somehow, perhaps (no feedback required, please).

Includes unlimited streaming of Bris de clôture via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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1.	Ajout après coup 08:25	buy track
2.	L’insistance comme méthode pour échapper à la réalité, Première dégradation 08:40	buy track
3.	Orchestral 04:28	buy track
4.	Deuxième dégradation 07:13	buy track
5.	Implantation d’un espace d'expérimentation formelle 15:04	buy track
6.	Deuxième tentative, moins réussie (même argument) (Troisième dégradation) 14:49	buy track

about

Leandro contacted me through bandcamp, asking if I’d be interested to listen to his music. I did my ‘grumpy as hell after several weeks’ answer to discourage him, something along the line of “only new music please, I’m not interested if you have 10 albums that have been sleeping on line for five years”.
That did not discourage him at all, nothing does.
There’s a lion tamer inside of him.
Let me tell you about the first time that I saw him play: January 2020, les Nautes, a Friday night. Everyone was smoking/drinking outside between the gigs. A noise was heard, but no one took much notice. The noises kept on going, the next concert had started, only with the PA placed outside. Leandro soon stepped out of the hall, torturing his guitar like his life depended on it. Torturing is not a figure of speech: strongly plugged to the cable with extra duct tape, the guitar strolled down stone stairs, and was dragged on paving stones, then on asphalt, producing the sound track to its martyrdom on the speakers. It was all leading to the obvious: the guitar would end-up in the Seine.
It's kinda blurry, but I think Charlotte (see SCUM TAPES 091) stopped him at the last minute.
And all the better for it: enough pollution, and fuck the obvious. This concert was history.
And the rescued guitar has since found a new home where it’s been able to live a quiet and happy life: www.youtube.com/watch?v=_4uEj_0XCmU
By the way, there is no guitar on this album. Custom build modular synth only.

credits

released March 18, 2022

Leandro Barzabal - Bris de clôture

1 Ajout après coup
2 L’insistance comme méthode pour échapper à la réalité, Première dégradation
3 Orchestral
4 Deuxième dégradation

5 Implantation d’un espace d'expérimentation formelle
6 Deuxième tentative, moins réussie (même argument) (Troisième dégradation)

Conçu entre août et novembre 2021 au GRM Parallèle.
Mastérisation par Lasse Marhaug.

SCUM TAPES 106
P&C SYE/FLTMSTPC/LEANDRO BARZABAL 2022
ART Michel Wisniewski

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about

Scum Yr Earth Paris, France

Started in 2007 by Joseph Ghosn and Michel Wisniewski, in order to issue their own music, Scum Yr Earth has since opened its doors to other artists.
Since 2012, the design of each release is managed by Stéphane Prigent.

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